![]() ![]() I allready did, but it just seems to make things harder when it comes to animation. How would that be composited in a software like toon boom or after effects? The thing is i have no idea how to composite a scene with multiple software, where a character interacts with the background, for example jumps on background elements while the camera is panning. ![]() From what i can say, personally i can draw,animate and paint in Tvpaint a lot faster than toon boom studio and it was a lot more enjoyable drawing in tvpaint, although i find its animation layers a bit nerve breaking. I'm a newbie so it aint much of an animation, so it was basically used for software experimenting. I used Tvpaint for animation and coloring, photoshop for a quick background, and i composited in Toon boom studio. I think its coming close but i don't seem to be able to composite my material in tv paint due to the lack of a 3d camera, so now i also need a composition software!:D Isnt there a raster based software that combines all this? I can't really afford to buy 3 software.:) Here's another drawing i made in Toon Boom studio and i painted the shadows and eyes in Tvpaint. I really need to solve this fast so i can start concentrating on the art instead of the technology, it's just nerve breaking.:confused: Does anyone paint the line art in vectors and does his/her painting elsewhere?įrom what i see most 2D software is made for cutout animation,but what i need is one for more traditional based animation, which is going to be hand drawn digitally with a tablet. I dont know if shadows are even possible in Toon boom studio, it really gets on my nerves when i try to do shadows with that software. ![]() It just looks too sharp? digital?įor example i wanted the shadows in this drawing to blend a bit more, and make the eyes a bit more detailed and glowy, like in anime.Īlso the eraser and brush tool usually suck with this type of software (vector based), so it doesnt really have the smooth feeling of drawing. So far from what i've seen, you can't produce traditional type of sketches like those of disney or anime with vector graphics. I'm trying to begin my first serious animation and I'm experimenting with a few software. ![]() So if you’re interested in learning, doing or getting better at animation, we can help.įlipBook and our new FlipPad make animation easier for teachers to teach, students to learn and pros to produce.This is a drawing i made in toon boom studio: That’s why we offer our educational prices to everyone. We also offer free technical support. We want FlipBook.” So Disney let them use FlipBook and they were happy.Įven though 3D animation has pretty much taken over in the theaters, most of the good animation schools still teach 2D animation and many of them require students to take 2D classes and use FlipBook to help them learn about frame-by-frame timing so FlipBook’s main customer base now is schools, teachers and students. When work began on The Princess and the Frog, Disney tried to get the animators to draw in the same software that the ink and paint department was using but after trying it the animators said “Animation is hard enough without making us use this software. That was the first big test for our new Mac version because up until then everything had been done on PCs. Then Film Roman started using FlipBook on The Simpsons Movie. When Universal Studios start work on Curious George they had animators working all over the country so FlipBook made it easier for them to all submit their pencil test videos for review and approval before sending in the final drawings. FlipBook was particularly helpful in matching all of the pencil drawings to the live action backgrounds. When they got there they asked WB to get FlipBook for them to use. After that many of the animators went to work on Looney Tunes Back in Action for Warner Bros. The animators loved it so they used it on Rugrats Go Wild. Klasky-Csupo was the first studio to pick up FlipBook during production of The Wild Thornberrys. So DigiCel FlipBook was designed from the ground up for studios, schools, teachers and students who want to follow the traditional animation process. In 1999, we left our Ren and Stimpy roots behind and started a new company to get a fresh start designing new software that would be more powerful and easier to use. ![]()
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